Eclectic stories that often start from what marks your personal agenda: tours, rehearsals and concerts with Café Tacuba, a crossing with some established or emerging artist in the backstage of a festival, the release of a disc or the edition of a book. Culture, in its various expressions, is one of the thematic axes of these texts. Joselo opens the door to a universe that includes David Byrne and the Pixies, Frank Zappa and Michelangelo Antonioni, Santa Sabina and Radiohead, Philip K. Dick and Morrissey, Wim Wenders and Gustavo Santaolalla, New Order and Chavela Vargas, and hundreds of other artists. Many times, in addition, it establishes valuable links between them, not necessarily predictable. In addition to all this cultural background, Joselo also opens the doors to his memories of childhood or adolescence, or even those of his family, from everyday stories that function as the trigger for reflections on life itself. These notes are the succession of ideas that haunt the author's head as he travels through reality, and that is why the reflections reflected here are quite different. The same can obey that recalcitrant melomania that has led him to generate, in a very critical way, a scale of values ​​in which, as happens with all of us who love music, he has his favorites. At the same time, there is that knowing look that Joselo lends to those of us who are curious to know what the backdrops are like in the big music leagues, where few have access. That is, the relationships with other musicians, the life on the road that the tours entail, the mysterious bond that one has with the fans, the discoveries that travel entails, the privileges that are accessed many times without having an interest in they and so on.