Undoubtedly, the divine comedy is, in addition to a prodigy of poetic and narrative technique and beauty, a work that reaches dimensions of wisdom on the human being and its situation in the world and the universe achieved by very few others in the history of the humanity. However, its desire for universality and timelessness only pursues in it through the analysis, reflection and imaginary projection of life and the world of its time and its place, hence, as it happens to other great works of Universal literature, divine comedy is more universal the more local it is. Therefore, given the deep doctrinal and ideological framework with which it is built, with notions and implications in many cases alien to ours, and given the multitude of references to characters, historical events, social events, material elements, customs, political foundations -Juridic, etc., a critical apparatus of notes and comments is necessary, such as the one that is presented here, that closer that world to the reader. On the occasion of the seventh centenary of Dante's death, this edition celebrates his Magna work with the purpose of covering a cultural lagoon: to offer the public in Spanish a critical edition that allows him to enter the exciting universe of the divine comedy.

Divine Comedy. Hell. Bilingual edition includes:

A critical edition carried out by the Dantiers experts Rossend Arqués Corominas, Chiara Cappuccio, Carlota Cattermole Ordóñez, Raffaele Pinto, Juan Varela-Portas de Orduña and Eduard Vilella Morató.
A general introduction arranged in voices of encyclopedia in the style of the famous Dantesca Encyclopedia.
Introductions to each of the songs, which offer keys, point out difficulties, summary or bring the text.
The songs in Italian and Spanish arranged in Testo at the borde, so that the reader can enjoy the work also in his original language.
An apparatus of notes to the text that clarify terms, explain contextual references, doctrinal elements and difficulties of the text in general.
Basic and specialized bibliography, both for those who want to deepen in the work in general and in hell in particular.
With about 300 illustrations of the most beautiful medieval manuscripts, as well as modern and contemporary artists such as Flaxman, Delacroix, Ingeno, Roden, Blake, Dalí, among others, who found in comedy inspiration.