This book is no stranger to controversial certain mood. The mere claim of a photographic or a twist
new photographic future after the fall of the indicial photography, who would like to see fuel
Here, in these pages, an approach willing to fight. A thesis talks about new
schedules of photography in the booming era of digital dematerialisation
supposedly "post-photographic" must require, perhaps, raising his voice a little, even if it be with
only objective to be heard amidst a scenario shown generally adverse to such
advances. Just do present some of these reasons, this book has some text
resistance. For the moment, it refuses to think of photography. Not far from the only
existing attempt in this direction. But to double the bet, add that one of the thesis
game suggests that only now agree, indeed, to photography. Given our quality
performers, users and agents of a photograph "augmented" by the digital matrix, which plays
Today virtually every aspect of our lives, we have become, in short,
in inhabitants of a new photographic extension.