The thought of Catherine Malabou interrogates the places of transfer and diagram movements that move between the creation and explosion of the forms that we try to capture. These forms, however, are not only transcendental additives, but constitute the material becoming that gives shape to a singular thought of difference. The looseness of the body breaks down a delicate and brilliant analysis about the process of metamorphosis implied in the Hegelian dialectic, extendable to the genesis of other forms. It shows that "a differentiation defined by the absolute looseness of itself" constitutes the differential force of all transformations. This clarity will be for Cristóbal Durán precisely that which will prevent thought from ending up taking shape, and that the body coincide completely with itself, thus closing its possibilities. Through a writing that intrudes and surpasses the writing of Malabou, Durán besieges some of the oppositions that run through the ways of questioning and experiencing our subjection to the world. But ease will not be a solution, since there is no possibility of letting go of that ease. It will be, rather, the strange and singular chance of inventing other connections, other futures that we still do not see coming. And that, despite us, they could always be what we least expect. For good and for bad.