
Publisher name: 
GedisaYear of publication: 
2011Pages: 
200    Book size:     
  15x23cm 
  Weight: 300.5 g
Binding: 
Soft coverWhy is the performance intended to be a mere copy of the real? Can we conceive technique as a construction of something that is neither a tracing, nor a preconceived form, nor something existing before the actor constructs it? The theoretical frameworks proposed in this book serve to understand the technical principles of a pedagogy that looks at the recovery of essence. The actor must not learn an interpretive technique to be right, but to be able to create without betraying himself.







