Ramón Boldú (Lleida, 1951) was born in the heart of the Segarra region and since he was four years old resides in Barcelona. His parents brought him, fleeing, they from the bad spirits and he from the Marshall plan (he was tired of so much milk powder), as he told in one of his first autobiographical works. Shortly after, back in the 70s, we already played the moral for several years with the series The sexcentricos, on the back cover of the magazine Lib, facet of draftsman who would have his sequel with Mario Gamma "The Greek", edited by La Cúpula. Already in the 90s is revealed as a pioneer in Spain of autobiographical comics with his works Bohemian but abstemious (The Dome) and Memoirs of a man of second hand (Glénat), which were serialized in the magazine El Víbora and reissued in 2009 by Astiberri in an integral volume. His very particular vital journey transferred to the paper continues with the art of raising malvas (Astiberri, 2008), Sex, love and pistachios (Astiberri, 2010), and after dealing with the figure of the poet Miguel Hernández in the voice that does not stop (EDT , 2014, with a script by Miguel Pereira), concludes for now in La vida es un tango and te piso baile (Astiberri, 2015).