The relevance of this work lies in developing an alternative proposal to the traditional analyzes of collective action. The protest practices of LGBTIQ+ people are interpreted in the framework of the "pride" marches, based on the political meanings that the sensory displayed in the public space takes on, as a fundamental part of the strategies of struggle in local contexts ( Iztacalco, Silao, León, Celaya, Cuautla, Tepoztlán, Querétaro, Toluca and Valladolid), which are part of a national protest circuit in Mexico, where the analysis of the massive demonstrations that have taken place in large metropolitan environments has been prioritized. The sensory analysis perspective allows us to identify the oscillating meanings of the "pride" protests, which range from the commemorative-festive to the most disruptive protest against the hegemonic order. These oscillations recreate sensory landscapes that alter the cissexist and heterosexual architectures imposed as orthopedics of disciplining the "normal". The approach subscribed here allows us to see the protest practices within the framework of a range of community ties and historical canvases that respond to the sociocultural contexts that house each of the documented mobilizations. Derived from this contextualization, a typology is proposed around the political-affective ties that each march builds with its community. Another contribution of this work is that the protests of sexual and gender dissidence groups are carried out from a differentiated analysis that recovers the political asymmetries of LGBTIQ+ identities, from the cissexist and gender perspective, for which the study is It stands out from the “choice” understandings. Finally, the present work seeks to contribute to the methodological approaches of protest practices, from a socio-anthropological perspective that weighs the interpretation of aural, corporal and identity elements, which have been considered as residual variables in classic studies of collective action. .