A volume dedicated to the subject of reading. In it we present the first translation of the Didascalicon, De studio legendi, by Hugo de San Víctor, written in the year 1130, considered as the first treaty of reading in the West, which was taken up by Iván Ilich in his last work, In the vineyard of the text, critical reflection on electronic writing and the end of the book.

Etelvina Bernal collects a score of intimate testimonies among victims of floods in Tabasco. Andrés López Fernández puts in crisis a series of literary genres (interview, testimony and fiction) through his "written portraits", and the outraged Mexican aphorist Eligio Calderón scrutinizes the relationship between the visible and the invisible through 40 maxims.

The volume also includes artistic documentation relating to emblematic cultural spaces of Mexico City (the Blue House of Frida Kahlo and the Alameda Art Laboratory): the first, by the artist Humberto Spíndola with photographs of great historical value, on the stones of Frida's garden, and the documentation of a performance based on a book by Mario Bellatin, curated by José Luis Barrios. The artist Magali Lara also shares a series of intimate reflections about her animations, located between writing and image.