Dialogues about a poet, an apple and a grid by Jorge Méndez Blake arises from the observation of a photograph where the architect Luis Barragán appears biting an apple, surrounded by volcanic stone, in what would later be known as El Pedregal de San Ángel , in Mexico City. This series of twenty brief, and sometimes even monosyllabic, dialogues delimit a broader conversation about this contemplative posture of the architect-poet, who walls gardens, plants Edenic trees, recreates the order of the grids and also makes the revolution.