The loving embrace of Kahlo, Estrada, Zenil and I weaves a matrix genealogy between these artists from the performativity of the body and their creative processes. Three men pregnant by Frida Kahlo is the (im)probable and powerful metaphor that makes us reflect on the (pro)creation of this artist and question the self-absorption that has depoliticized her artistic work. The perspective that the personal is political runs through this study, highlighting the autobiography, the body and the sociocultural context as the fundamental bases of art. Linked to the artistic-investigative work of the author, these artists, themes and political positions build a bricolage between plastic arts, contemporary dance and performance to think-make art as a struggle in our colonized, exploited Latin America, but also brave, exuberant and, if you will, revolutionary.