When Rilke undertook his journey through Spain, had not heard of Ronda, where he arrived almost by chance. He was overwhelmed by the majesty of the landscape and decided to stay for a while; the end, it was there from December 1912 to February 1913. He took advantage of the -a anonymity foreign tourist in an almost empty hotel - for a period of introspection and intensely consider the direction that was to take his work, and had an outbreak of creativity, contrary to what had happened in Toledo.From Ronda got a new studio in Paris and departed in February to face again the ordeal that this city was to him since, in 1902, the first visit. Ronda, therefore, could be considered a resting place, a period of truce in -often atormentado- Rilke pilgrimage by the countries of Europe, and an intimate experience of a landscape whose numinous characteristics had a deep resonance within