The film camera is a non-human apparatus, capable of producing simulated effects and "experiences" without real correspondence with individual or existential human life. In fact a cinematographic "point of view" is less realistic than the writing, since it shows us that he sees along with the look and has to include the body of the subject he sees in the contents of the supposedly subjective experience, as noted that this Last is only as soon as someone sees it.

Fredric Jameson.

The idea that there could be a geopolitical aesthetics - which also means, evidently, an aesthetic geopolitics - and that she could be based on cinema, that idea, could only, and deserved, being "Jamesoniana"

Eduardo Grüner.