The texts of this book expose the resources that the movement contributes to visual and audiovisual communications, media that today coexist closely with digital procedures, virtual realities and global networks. In these pages, we also explore the influence that the movement has always had on the phenomena linked to perception, even in static representations. Submerged today in a dazzling technological world that expands and diversifies day by day, we tend to consider all of the above, if at any time we pay attention to it, as obsolete and not worthy of care. The author considers, nevertheless, that it is valuable to know some of the steps that have preceded the current progress: the old Renaissance representations, for example, or the searches destined to construct artificial creatures mobile by means of the automatons. All these procedures often allowed unusual aesthetic expressions that have not lost their validity, such as those provided by the photographic series that analyzed the stages of displacement in humans and animals, towards the end of the 19th century, or the vivacious figures of the painters. futurists of the early twentieth century. These and other antecedents are naturally linked to the tangible possibilities of computers and enrich the vision of the current creators, who have digital resources with exceptional perspectives for the exploration and application of new ways in the treatment of moving images.