Country of contrasts, which here we are described transits from the "cute and dear Mexico" of his romantic song to the "Narcoméxico" of his daily tragedy. Ungovernable territories, dismembered corpses, mass massacres, drug traffickers, hitmen, account adjustments, corruption, kidnappings and extortion form a reality entrenched by a slang of its own and already sadly familiar: the narco language. However, as Jon Sistiaga states in the prologue, José Reveles offers us, from his vision of journalist and Mexican, a sanity analysis, a reasonable voice "that can help pull the cesspool out of the violence to a fantastic country that wants to get rid of that tremendous prefix that we have all assumed as normal".