This essay addresses the figure of Mary Zambrano from its relationship with the poets of his time, mainly the generation of 27. Following a biographical trajectory that starts from the formative years to the development of his mature works as Thought and Poetry in Spanish life and philosophy and poetry, both of 1939, the poetic references that formed these contexts that influence the genesis of the "poetic reason" are analyzed. Friendly relations and meeting points between María Zambrano and poets like Jose Bergamin, Luis Cernuda or Miguel Hernández, among others are presented as well. Fundamental scenarios as the poetic atmosphere of Segovia in his youth with tutelary figures like his father, Blas Zambrano or Antonio Machado, or during the civil war, involving the thinker in an exceptional magazine like Time of Spain. Of all the poetic horizon that met María Zambrano from the late twenties, civil war and the beginning of exile, the figure of Emilio Prados deserves special attention. Emilio Prados is the poet whose work has a greater affinity with the thought of María Zambrano, and the reconstruction of that dialogue and harmony most of the study is dedicated. Through analysis of the poems María Zambrano marked in the books of Emilio Prados, texts he wrote about the poet and the biographical circumstances of both an effective realization of dialogue between philosophy and poetry is presented as always claimed the author in his own works. The tour of these figures provides sufficient documentation to locate the thought of Maria Zambrano in a specific poetic context that can serve as a source of explanation for the originality of his poetic philosophy.