This book combines an exemplary tour of Latin American artistic production. We are here involved in the vital contingency of a thought that is drawn to the interruptions and not by the continuities, by the outbursts and not by the restorations, by the mixtures of disassembled bodies and gender (s) and not by full identities , by the breakages of kinship and not by the direct lineages, by the broken knowledge and not by the unitary synthesis of an integral knowledge. Steal the story. Contrarrelates and artistic practices of opposition has as a horizon the social and cultural mutations that led the technologies of creation to experiment with new ways of doing and thinking art that mix the expressive power of forms and concepts with citizen demands and communal demands, civil movements, the struggles of desires that are thrust into crowds in action. In transgressing the rites of institutionalization of academic knowledge, this book on art (a book of disciplinary transfers that also speaks of coloniality, sexuality and patriarchy, capitalism, violence and postdictatorial memories, transnational globalization, social movements and sphere public) contributes not only to undermining oppressive discourses but also to reconfiguring critical subjectivities that are able to escape from neoliberal harassment by resorting to the artifices and outbursts of the radical imagination.