The purpose of this book is to give the reader an approximation about the theatrical process prior to a staging and its subsequent effects. This attempt arises from the scarce register that we have with regard to creative processes, and therefore to almost no access to them, as support material for work teams or for researchers and creators interested in the construction of methodologies and techniques that are inseparable and specifically linked to the moment of theatrical creation. Mapamundi Teatro has wanted, through essays and textual materials, to show the construction of a creative research model based on interdisciplinary dialogue. The writings presented here, have been prepared after the presentation of the work, and thought by the same people involved in the staging: the authors of the essays were invited to participate as actors in the staging. Herein lies the interest of th...read more