The golden theatrical discourse is one of great richness. In addition to the complexity of any work composed to be performed on a stage space, with the means and resources typical of the time of its creation, and according to theatrical conventions and cultural conceptions of a specific period, in the aurisecular theater work it is necessary to consider the importance given to the theatrical spectacle, visually as well as soundly and sensorially in general, and which resulted in a performance that constituted a true banquet for the senses. To this we must add the rhetorical, poetic, and formal complexity in the speeches of the characters, a complexity that is born from an aesthetic intention and a compositional conception typical of the period, and that has significant implications in the dramatic, as well as repercussions in the production. esthetic. The study of the theatrical work based on and in relation to the discourse is essential because, whether in its staging or in its written presentation, it is the way in which its different aspects are manifested, from the subtexts, the plot and the characters, to directions for staging.