In this dense and beautiful reflection, Jens Andermann introduces us into the logic of trance, a way of naming the Borromean knot that links the space and time of the subject with that of the community,
both splintered by violent displacements and temporary hiatus. Thus pursues a vanishing object that, forward, is directed to the hyperobject, the postnatural in-world, but that, retrospectively, can be read as the tracing of a natural history of the anthropocene. In the perspective of the author, it is the story of a retreat, fold of art in relation to its frame
institutional, and unfolding of previous ways of aesthetic postulation of the world as "landscape". The environment emerges as a "scene", a fluid spatio-temporal ensemble that is not defined by the social exteriority of its forms, but by the internal dynamics of its forces.

The trance of a thing is neither a part, nor a state of it, but something that derives from it. Détournement That other place, similar to a container, is a transportable place with the proviso that the container is never part of its contents. Thus, insofar as it is separable from the thing, the trance is not the form, and insofar as it contains it, it is something other than matter. It teaches us that all space is parataxis: without origin or orientation, intense but not extensive, liminal of the limit. The trance is the silence or secret of art, its absolutely contemporary reconfiguration, by means of which the aesthetic is redefined as the very threshold of our non-specificity.