It was a literary movement, but rather a movement of things, a tendency of the real. The unspoken meeting of a generation of novelists as different was that common substrate, impersonal: experimentation with new forms of writing. For the writer is no longer trying to be faithful, truthful, in relation to a world beyond, or being his expression. It was creating the world, to invent. Unveiling the implicit forms of matter, in this case writing, as the carver who follows the wood grain.
These writings Robbe-Grillet, ranging from 1953 to 1963, try to think of this experimental, active core, the conditions in which the New Novel unfolds; that already lived in Proust, Joyce, Kafka and Flaubert, and then we find in Beckett, Roussel, Bousquet, and others.
This movement breaks a tradition that goes from Balzac to Sartre, which ruled the character, history, metaphor, held in a natur...read more