False Papers, Valeria Luiselli's first book, is composed of a series of narrative essays on various subjects, where the constant is the record of the author's original gaze, always lending to find details or connections between ideas of very different order, echoes Of a thought that forces the reader to rethink. The hidden tomb of Brodsky in Venice; The unclassifiable and elusive Portuguese longing; Language as a break with "childhood before childhood", are some of the ingenious pretexts for the deployment of precise writing, which leaves us the impression of being witnessing in person those particularities, guided by a lucid filter that suggests multiple variations Of a reality that is transformed with the passing of its reading. From Valeria Luiselli, the doctor and writer Francisco González Crussi has said: "Among the bronzing buzzing, dissonant and confused, spoken by thousands of young contemporary writers, the voice of Valeria Luiselli stands out with the limpid beauty of a clarinet . Whether he speaks to us of trivial facts of daily life, such as riding a bicycle, meditating melancholy among the tombs of a cemetery, letting his imagination run wild, or tying it with the double scrape of erudition and reasoning, All cases the young author of Fake Papers finds the bright and evocative image, the happy citation, and the just expression. This convergence of qualities confers on his work a double power: it delights us and at the same time discovers new and multiple meanings in the objects of everyday experience. Reading this book gives us the effect of a beautiful recital, in which there is a kind of musical richness and great density or harmonic thickness. Valeria Luiselli is revealed here, without a doubt, as a magnificent essayist and one of the greatest promises of Mexican letters."