The relations between aesthetics and communication are marked by disagreements, fissures and disasters. They declare unplanned connections that exceed disciplinary lines and methods, look for symptoms, and recognize the power strands within the body of speech and image. Writing and visuality are a space of triumph and resignation where the atrocious and the reverse also appear to say his work and modify the ways we have to tell and feel. Under this consideration the present book tries to describe some processes that generated a change in the modes of the contemporary story, derived from the appearance of new economic, technological and cultural rationalizations.