«Architecture is, at the same time, a structural, practical and visual art. Without solidity, it is dangerous; Without utility, it is merely a large-scale sculpture, and without beauty, it is nothing more than a utilitarian construction," write the authors of this book, in which they brilliantly handle this triple aspect of a complex art that touches all our lives.

Viewing the history of architecture broadly as a series of dynamic innovations, Professors Trachtenberg and Hyman consider what caused dramatic changes in construction and taste, where influences have originated, and what their effects have been. and how technological advances the elevator, iron, steel and glass have shaped our environment. Beginning with primitive prehistoric structures, they carry the thread of architectural invention through nine thousand years of civilization. The architectural milestones of each era are described, emphasizing the main buildings, all of them placed in the matrix that fed them: social and political events. This book is, above all, a history of notable buildings, of groups of buildings, of the styles in which they were built and of their responsible architects. The Acropolis of Athens is the centerpiece of the chapter on Greek architecture, as is the Pantheon for the Roman or Hagia Sophia for the Byzantine. The great cathedrals receive careful scrutiny in the Gothic period, while Rome and Florence play a central role in the Renaissance and Baroque eras. Claude-Nicolas Ledoux and Étienne-Louis Boullée convey their visions in the chapter dedicated to the 18th century; Paris, with the École des Beaux-Arts and the Opera, set the pace of the 19th century, and Le Corbusier, Frank Lloyd Wright and Mies van der Rohe dominate the 20th century, which includes works by postmodern masters such as Robert Venturi, Philip Johnson, James Stirling or Arata Isozaki.

This fascinating cultural history, tracing architectural tradition from its beginnings, is richly illustrated on every page. The chapters vary purposefully: some focus on stylistic changes, others on building types, and still others on chronological events. In each case, the authors have managed to transmit the quintessence of the historical buildings, their creators and their eras.

A glossary of architectural terms and a detailed onomastic, thematic and conceptual index close and complete this volume. The abundant photographs of exteriors, interiors and details, many of them taken by Professor Trachtenberg, and the numerous plants and drawings effectively help the understanding and enjoyment of this complex and fascinating subject.