In 1982, the poet and journalist Daniel Chirom convinced the most popular and transcendent artist of Argentine rock to participate in a series of conversations that would serve as the basis for a biographical book. Published in March 1983 with the laconic title Charly García, the volume became a classic of literature about the musician, even though it went out of print in 1987. 35 years later, this essential item for anyone interested in Argentine popular culture returns with its original content. The century, the millennium, and the world may change. One thing remains intact: the enduring relevance of the music and words of the artist known as Charly García. Among the most personal projects in our literature, Betina González has captured the secret heart of writing and illuminates it, betting on the liberating power of the imagination. With captivating clarity, she asks how we relate to the books we write and read. From the origin of a story to the moment that story becomes part of the reader's life, there is a intricate web; and she traces it as if the words were footsteps. The emotion, the rhythm, the mystery of the texts are heard again in these pages while the familiar library is rearranged and a prodigious collection of underlines unfolds. When discussing the essays of Ursula K. Le Guin and Shirley Jackson, the author says that reading them is similar to writing with them. The same magic happens with her book. Just as style is evident in all genres, here too it captivates; it too dazzles. Esther Cross