In different countries of the Southern Cone, gender studies and analyzes of feminist theories have been growing strongly since 1990. This has led to the recovery of archives and research on women artists who, although they have worked or still perform professionally, they have been excluded or marginalized from the stories of the art history of the continent, which have frequently appealed to the idea of ​​the exceptional figure for the historical entry of a few.

In the pages gathered here, the readers will find new perspectives on the arts of the nineteenth and twentieth centuries of Argentina, Brazil and Chile, which account for omitted artists, seeking to problematize the traditional way of writing the stories of art . Likewise, the book establishes contact with Mexico, an important precedent in this area for our region. In Share the world. The experience of women and art we propose other, more inclusive views of our artistic stories.