A lavishly illustrated volume of C.G. Jung’s visual work, from drawing to painting to sculpture. The success of the facsimile edition of The Red Book published in 2010 is proof of the enormous interest in Jung’s figurative and creative works. For the first time Jung became visible to a wider public, not only as a founding figure of modern psychology, but as an artist in his own right. This new work published by the C.G. Jung Works Foundation highlights some of the unique and characteristic features of Jung’s illustrations: a combination of freedom in colours, motifs and perspectives, displaying similarities with the development of modern art at the beginning of the 20th century; the play with light and shadow to create perspective and dimensionality; the use of transparency and opacity techniques to create effects of light and plasticity; the very free and unrestricted way of working, giving the objects almost animistic qualities. The essays collected here present previously unpublished artistic works and address a remarkably broad spectrum of artistic achievements, both independently and within the context of The Red Book, itself widely represented. They include drawings, paintings, and sculptures not previously published in The Red Book and subsequently exhibited; as well as further research that led to the discovery of early drawings from his childhood and adolescence. This book allows us to finally present the substantial corpus of Jung's creative work in the context of his personal and intellectual development; as well as the central role of the image in his scientific work. Throughout its pages there are continuous references to the symbolic meaning of inner images and their linkage to archetypal motifs common to all cultures and times.