What stands out from these texts is that they constitute a strong response to several problems that have circulated around the fever, the furor, the impetus or the glamor of the archives. The cases allow to resituate the latency of operations proposed by highly experimental works that were not described, conceptualized or historized as such. It is a historiographical operation that intercepts interpretive arguments and displays them from situated readings. The institutionality of the State is disordered when it is interrogated from writing as a critical company. This is the place of interception of these texts. Andrea Giunta Sebastián Vidal. Santiago, 1978. Doctorate candidate in Art History at the University of Texas at Austin (Fulbright Scholarship). Bachelor's and Master's in Theory and History of Art at the University of Chile and a degree in Education Sciences at the Pontificia U...read more