In wood hens two texts converge around two of the great writers of the twentieth century: Bohumil Hrabal and Alain Robbe-Grillet. In the first one, entitled "On the beaches of Montauk the flies grow more of the account", a Man tests the lysergic acid in the city of Berlin, and is disappointed in the Alexanderplatz when considering that he has just been subject to a scam. Suddenly a woman with a dog in her arms passes, opening her jaw in a huge way, and then realizes that she may not have been as deluded as she thought. At that moment some birds of prey burst into their heads, enslaving a man who has been offered them voluntarily; This story would be part of Wooden Hens, the text of Hrabal that was left unfinished after it was thrown out the window of the mental institution where he spent his last years secluded. Hrabal's delirium mixes with that of the narrator and the birds, to the degree that the slave has to put the birds in a mental hospital to be treated with electroshocks. He continues, "In Mr. Bernard's closet he is missing the suit he most detests," where Bellatin recounts his walks with Mr. Bernard-a member of Robbe-Grillet-with whom Mario Bellatin held one of his last public dialogues before his death. Overwhelmed by the occasion, Bellatin took phrases from the autobiography of Robbe-Grillet as if they were his own reflections, and from that induced communion of ideas managed to become a spectator of luxury of an exhibition on the best of French literature of the twentieth century. With its unmistakable style, in this story it testifies to that encounter; Shortly after he learned of the death of the French writer while carrying out tasks proper to his profession of agronomist.