Tired of the forms and tasks of being a translator and interpreter, Mara, in an exercise in flight and solitude, takes refuge in a bland town as a museum guard. The plan includes minimizing social interaction, adopting less visible and noisy forms; disguising and silencing the body.

Mara's intentions are diluted in the time that her fellow visitors, Mancha and Gato—two beautifully and badly embalmed Creole horses—are left to the fate of a delirious taxidermist to restore their historical grace and value.

While "Include Me Outside" narrates the failure of a sabotage—the impossibility of remaining silent—as we explore the channels of language, weaving silence with words, other bodies of resistance become palpable: minimal gestures expressed in pause, redundancy, and digression. Solitary rebellions, thus attempting to quiet the noise of the world.