Sortilege. The word fused with the action is a spell. Reviving Stanislavsky and Shakespeare to attack the traditions of the word is a spell. This book is about the unspoken word and the body that dares to say it. This book is about the blank spaces between words and not the meanings they have on an analysis table. This book tries to help an actor and a director understand that, to understand, you must first do. Not understanding to be able to do. This book is about the size of the text analysis table. Its measurement is that of the place where it is rehearsed. By a strange spell of times and forms, Stanislavsky and Shakespeare coincide with the author. They have rediscovered the value of knowledge when it is provided by the actor and is not cloistered within the prison of a language that must dare to step aside. The book of acting technique that prevents an actor from saying: My character would never do that. The book of interpretive technique that understands the task of imagining as a challenge that the body takes care of. The Cunning of the Body. Let him speak.