This volume gathers two short novels linked by its stage, Venice, especially significant in the style of Mann for being often correlate of a world dominated by the beauty on the verge of the decay. In the case of "Death in Venice", it is one of the most famous stories of Mann thanks to the film version of Visconti, considered one of the happiest encounters between literature and cinema, and the presence in him of homosexual love and about all the extraordinarily sensitive way of exposing it make it one of the author's most imperishable works. "Mario and the Magician", in a way a parable about populism and credulity, was read at the time as a serious warning about the rise of the Musolini regime, but that for its formal perfection and the validity of the subject are still today much appreciated. Thomas Mann wrote this masterful and ambiguous account in 1929, shortly after receiving the...read more