The polished, so smooth, so immaculate, with the hallmark of our time. They are what we have in common the sculptures of Jeff Koons, smartphones and waxing. These qualities bring out the current "positive excess" mentioned Han in other trials, but here focuses and develops in the field of art and aesthetics.
Why today like both the "polished"? he asks Han. Because no harm, no resistance. What it is a digital fine polished and smooth the same space, a space that does not tolerate any surprise, no otherness, no negativity.
Natural beauty has atrophied as smooth and polished digital beautiful. Today we are in a crisis of beauty while it satina, making it the subject of the "I like" in something arbitrary and pleasant, measured by its immediacy and its value in use and consumption.
But without the negativity of the breakdown of the other, it remains blocked access to natural beauty and annulled the contemplative distance. Beauty is behind. It is not a momentary brightness, but shining in silence, and through rodeo. The beauty is not in immediate contact. Rather it occurs as a reunion and recognition.