Two crossed practices, dance and philosophy, as an intensive field in circulating (walk, rolan, com-put, articulate, present, think) images and bodies. One concern that passes from one to another back and forth, but that speed reciprocating (or its slow cadence) opens a gap that takes everything in a whirlwind, or a mist, where the rule of the forms gives way to mystery of forces.
How heterogeneities two related? After this question Marie Bardet part, dancer and philosopher while at the same time, deliberately, with varied practices among dance floors, university classrooms, and hybrid monsters institutes.
And around this question asked, worked, crossed and thickened by multiple derivations build a vast crujiente--and unscriptural practices conceptual thinking in dance and (God forbid) in philosophy apparatus.
polifónico book that brings together the voices of writers, philosophers, dancers, choreographers, and occasional ghostly spirit, Thinking move also achieves the miracle of putting into operation one of the most powerful philosophies of life, the time of creation, the Henri Bergson, at the heart of all concerns inherent to dance. But not as an application, or overflight, or clearing land, but in the common discourse of the same continuum and heterogeneous, moving flow, discovering what already danced in their movement-images in its images-light, or the dance and thought 'with feet as Nietzsche wanted - but not on their movements with them.