The so-called "linguistic turn" in contemporary philosophy of language has been at the center of the discussion, so that is presented today as the great philosophical consensus in which there are multiple perspectives to consider. In this wide range of positions, philosophical hermeneutics is central, as chief representative of the current language is a particularly ontological, and therefore argues that language is not only the mode of the world and of ourselves, but also being manifested as language.
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What do you mean to ask about the language? What is that thing that we are moving and where we are? Nonlinguistic no place from which to ask for the language but need to be investigated from himself. The multiplicity of linguistic forms herein specifically works with: The story of fiction, to see there the ontological possibilities that unfold.
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From the hermeneutics of Hans-Georg Gadamer and Paul Ricoeur, as well as from the analysis of literary theory (structuralism to the school reception), this treatise develops a theoretical framework for the narrative following question: What is the mode be, the way that happens and you see the story of fiction? The concept of mimesis is the thread to answer because it allows the linking of text reading and the world, and this is of utmost importance for an aesthetic that considers the impact of the text in our reality._x000D_

The narrative is understood here as a way of being human in which all assume our radical historicity, after the realization that the subject is not based itself because there is no "blank spot" from which everything arises is. We have learned to seek and not "what", but what we wanted to "be", we have stopped looking for a reason behind the stars (Zarathustra) to the realm of fiction, the more clear and crisp mirror that we call existence, opened on the edge of the historicity and finitude.