Augusto Agero (Madrid, 1880 - Paris, 1947), an almost forgotten sculptor today, belongs to that generation of Spanish artists who, at the beginning of the century, arrived in Paris, then the capital of art. A friend of Picasso, with whom he met at the School of Painting in Madrid, Agero will occupy, like the man from Malaga, a home-workshop in the building known as the Bateau-Lavoir, from where he will contribute to the genesis of a type of sculpture. Cubist, inspired by Iberian sculpture and African art. As a participant in the different Cubist exhibitions, Agero will be considered by Apollinaire as one of the main Cubist sculptors, along with Duchamp-Villon, Archipenko and Brancusi, a new emerging paradigm: the paradigm of the complexity. Based on the new concepts that articulate this paradigm, the author weaves together an extraordinary story in which the deep relationships (systemic relationships) between architecture and the different levels of vital organization are revealed: from the cell to the modern network society.