The discussion about the nature of the Art concerning the definition of his works, dominated the art criticism and theoretical reflection on art and aesthetics in the twentieth century. Of course this was not controversial effervescence result of a surprisingly abigarradade hatching practices and proposals of theoretical artísticas.En this context bewildering disorientation and artistic variety is desirable, perhaps essential, turning his gaze to Kant, a classic aesthetic theory, the attempt to clarify his conception of the artwork, which is, how it is defined or what he characterizes as