Four diversions, but also warnings, as serious as they are humorous, that seek to project a kind of metaphorical quadrilateral of our lives.
In these caprices or absurdities, González Sainz has wanted to navigate this time in a current that we could say runs from Cervantes to Goya and to Kafka or Pirandello. These are four diversions, as serious as they are humorous, that seek to project a kind of metaphorical quadrilateral of our lives; four illuminations on the condition of our time and our consciousness or lack thereof, on the destiny of the inhabitants of contemporary nihilism, with its systematic confusion, falsification and trivialization of everything, and on the nature of power and innocence, on the deception and the back and forth of human things.
«At a time when the phantasmagoria of reality is so rampant - the author has suggested - perhaps there is nothing be...read more
