From an exceptional material formed by the rich correspondence maintained among agents who bought paintings in Venice in the seventeenth century for large Spanish collectors, Leticia de Frutes recreates the living environment of the artistic market between the Venetian channels, while examining And rethink theoretical concepts that marked the look and way of understanding painting in the seventeenth century.
? Letters of picturesque navigate. Correspondence of paintings in Venice? It is an open window to know the rules that marked the art market: risks of fraud, bargaining and attribution changes are behind some paintings that today we can see in our museums.