The museum offers to all, as a public legacy, the monuments of a past splendour, instruments of the ostentatious glorification of the greats of yesteryear: artificial liberality, because free admission is also an optional entrance, reserved for those who, endowed with the faculty of appropriating the works, have the privilege of using this freedom and who are therefore legitimized in their privilege, that is, in the ownership of the means of appropriation of cultural goods.