Feminism is on the agenda today. In the media, in social networks, in everyday interactions, even in intimate relationships, it appears as an agglutination, identity formation and confrontational platform to combat prejudice. However, the demands of feminism go far beyond the vague sense of equality that underlies the new common sense that is being formed, and in the current circumstances a theoretical debate is urgently needed. The merit of this volume lies in showing the points of contact between Virginia Woolf's aesthetic practice and the feminist project that supports it. The result of reading it is that of an egalitarian coexistence between aesthetics and militancy: neither the first eclipses the second nor suppresses the second. This is a good example of coexistence, which deserves to leave the academic field and reach a wider audience.