At the beginning of this century we noticed a displacement of cinema as the most powerful audiovisual medium, which has the series as its protagonist; As the years have passed and very important entities and spectatorial practices have been added to the media framework, it has become necessary not to think so much of television as television, nor of the television series as a genre or catalog of products, but of seriality as a form that has engulfed various fields. from cinema in theaters to streaming platforms, and from what we know as traditional television to video games. Through the discussion of the elements of the audiovisual discourse of video games, cinema and, especially, series, this work explores various edges of this complex panorama: the practices of viewers in today's digital framework, the comparison between series before and during streaming, the expressiveness of affections in series, the intrusion of violence as form and content, the episode of a series as a unit of audiovisual analysis, the redefinition of the figure of evil and reflections on the future place of cinema in this panorama.