What does it mean to say it all? Is it possible to reveal thought, to make it explicit and free from all secrecy? For Silvia Schwarzböck, thinking is misthinking. And the task of thought is to make explicit what remains hidden, institutionalized and idealized. Schwarzböck again dazzles with her sharpness, as in The Coldest Monsters. Aesthetics after the cinema. If there she went through the meanders of the image, here she deals with philosophical praxis and writing in its most sensitive state, that is, with the experience of the self. However, that sensitive self does not appear linked to the ways of thinking well, but rather, it appeals to the myth of the Medusa to reveal that self that intuits a monstrosity in its self-perception.
