Mixing autofiction, chronicle and feminist thought, in Desde los zulos Dahlia de la Cerda reflects on racism, classism and transphobia within feminisms and how these tools of the master become Trojan horses that dismantle emancipatory movements . Using personal experience analyzed from the contributions of marginal feminisms, she makes abstract concepts such as "oppression" become tangible. It tells us about men, the erasure of women and the disputes over power or economic resources, the sororo fire, the protagonisms and bad practices within social movements, but, above all, about the importance of articulating a more feminism beyond intersectionality, beyond the traditional concepts of white feminism, such as patriarchy: a feminism that recovers the life experience, voices and theorizations of women that emerge from the hideouts.
